Upon watching the gorgeously-designed movie on Blu-ray, however, another reason quickly becomes clear: its screenplay is awful. At 163 minutes, the story about an egotistical saxophone player (Robert De Niro) and a rising jazz singer (Liza Minnelli) who share a tortured romance is too slim and derivative of other, better movies such as the 1954 version of A Star is Born (which even starred Liza's mother, Judy Garland).
Jimmy and Francine meet cute, even though De Niro comes across as only a slightly less psychotic version of Taxi Driver's Travis Bickle, in a nightclub the night of V-J Day. She is understandably wary at first, and Minnelli is great in these early scenes as well as in her later musical numbers. The Blu-ray includes the lengthy, lavish production number "Happy Endings," which was quickly cut from the film after its release in a desperate effort to make a shorter, more audience-friendly version.
There is much to admire in New York, New York, especially Boris Leven's production design, Theodora Van Runkle's costumes and Laszlo Kovacs' stunning cinematography. But the script by Earl MacRauch and Mardik Martin takes a full half-hour for anything substantial to happen, and even then nothing too substantial happens. It's best to skip chapters, stopping each time Liza sings.
Along with New York, New York, Twentieth Century Fox Home Entertainment and MGM have also released Milos Forman's energetic adaptation of the rock musical Hair
Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.